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Brothers Karamazov by F. M. Dostoyevsky in cinematization by P. Zelenka
Laitnerová, Daniela ; Hříbková, Radka (advisor) ; Hlaváček, Antonín (referee)
This bachelor thesis deals with the last novel by Dostoyevsky The Brothers Karamazov and the film based on the book directed by a screenwriter Petr Zelenka. The first part of this thesis deals with a comprehensive analysis of Dostoevsky's novel The Brothers Karamazov in terms of literary theory and history, the second part focuses on the issues of the film adaptation based on the novel The Brothers Karamazov, directed by Petr Zelenka. The aim of this thesis is to provide a comprehensive and integrated analysis of the novel The Brothers Karamazov. This thesis investigates, if ideas of Dostoevsky's works are currently up to date. Above all, this work deals with comparison of literary and film adaptations, focusing primarily on formal and semantic differences of these entities. The first chapter of this thesis deals with the genesis of the novel The Brothers Karamazov. In this section, a creation of the novel The Brothers Karamazov is placed in historical context and there are described the effects and circumstances that Dostoyevsky was influenced by in the course of writing this novel. The second chapter focuses on the narrative aspects of the novel The Brothers Karamazov. It is divided into nine subsections, each dealing with one literary and theoretical point of view. In the following subsections...
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Motive of "losers" in contemporary Czech drama
Jilemnická, Adéla ; Smrčka, Jiří (advisor) ; Píšová, Ina (referee)
This master's thesis concerns itself with the motive of "despair" in contemporary Czech drama. It includes an analysis of selected plays written after 2000 by leading Czech authors belonging to the middle generation (Petr Zelenka; David Drábek; Jiří Pokorný; Petr Kolečko; Tomáš Svoboda; Lenka Lagronová; Iva Klestilová, born Volánková). The aim of the thesis is to analyze these dramas, to define characteristic elements and to determine whether we can identify a clear "desperate people" motive within their characters, deeming it a characteristic feature of contemporary Czech drama written by the middle generation. Using a comparative method we explore typical repetitive motives of the characters - anti- heroes, which suffer from having an unfulfilled personal life, a feeling of loneliness or a midlife crisis. The master's thesis describes the causes and manifestations of despair of the characters, as well as the solutions the dramas offer to the bleak situation (insanity, suicide, miracle). KEYWORDS contemporary Czech drama, motive of "losers", in-yer-face theatre, Petr Zelenka, David Drábek, Jiří Pokorný, Petr Kolečko, Tomáš Svoboda, Lenka Lagronová, Iva Klestilová (Volánková)
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Brothers Karamazov by F. M. Dostoyevsky in cinematization by P. Zelenka
Laitnerová, Daniela ; Hříbková, Radka (advisor) ; Hlaváček, Antonín (referee)
This bachelor thesis deals with the last novel by Dostoyevsky The Brothers Karamazov and the film based on the book directed by a screenwriter Petr Zelenka. The first part of this thesis deals with a comprehensive analysis of Dostoevsky's novel The Brothers Karamazov in terms of literary theory and history, the second part focuses on the issues of the film adaptation based on the novel The Brothers Karamazov, directed by Petr Zelenka. The aim of this thesis is to provide a comprehensive and integrated analysis of the novel The Brothers Karamazov. This thesis investigates, if ideas of Dostoevsky's works are currently up to date. Above all, this work deals with comparison of literary and film adaptations, focusing primarily on formal and semantic differences of these entities. The first chapter of this thesis deals with the genesis of the novel The Brothers Karamazov. In this section, a creation of the novel The Brothers Karamazov is placed in historical context and there are described the effects and circumstances that Dostoyevsky was influenced by in the course of writing this novel. The second chapter focuses on the narrative aspects of the novel The Brothers Karamazov. It is divided into nine subsections, each dealing with one literary and theoretical point of view. In the following subsections...
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